Tag Archives: Mad Men

Emmy Winners 2010

Yeah, I kinda missed the ball on this one. But hey. This is the only way I manage to check for myself, and besides: this year was kind of exciting. As in, 30 Rock didn’t win everything, which is fantastic. (Clearly I am not a devotee.)

Lead Actor in a Comedy Series: Jim Parsons as “Sheldon Cooper” in The Big Bang Theory
I really could not be more excited or delighted by any other outcome (yes, including a Matt Morrison win).

Lead Actress in a Comedy Series: Edie Falco as “Jackie Peyton” in Nurse Jackie
Didn’t really have too much care about this category this year. But Tina Fey didn’t win, so that’s fun and different.

Lead Actor in a Drama Series: Bryan Cranston as “Walter White” in Breaking Bad
I was rooting for Matthew Fox or (as usual) Michael C. Hall. But this is juuuuuust fine too.

Lead Actress in a Drama Series: Kyra Sedgwick as “Deputy Chief Brenda Johnson” in The Closer
Congratulations! (I really didn’t care about this category this year…)

Comedy Series: Modern Family
Glee didn’t win?! OUTRAGE! SCANDAL! …just kidding. Modern Family is definitely deserving. Grudgingly as I admit it. Maybe next year.

Drama Series: Mad Men
God DAMN it. STOP.

Reality Competition Series: Top Chef

Variety/Music/Comedy Series: The Daily Show with Jon Stewart
Aw YEAH. Eight years in a row!

Supporting Actor in a Comedy Series: Eric Stonestreet as “Cameron Tucker” in Modern Family
Um, yay for you. I wanted Chris Colfer or NPH.

Supporting Actress in a Comedy Series: Jane Lynch as “Sue Sylvester” in Glee

Supporting Actor in a Drama Series: Aaron Paul as “Jesse Pinkman” in Breaking Bad
Twas a good night for the Breaking Bad men.

Supporting Actress in a Drama Series: Archie Panjabi as “Kalinda Sharma” in The Good Wife

Writing for a Comedy Series: Modern Family
Oh please don’t mean that now Modern Family (instead of 30 Rock) is just going to sweep the comedy series Emmys and leave destruction in its wake.

Writing for a Drama Series: Mad Men

Writing for a Variety/Music/Comedy Series: The Colbert Report
Works for me. Not my favorite episode of the season, but there was a lot of really good writing this year so yay.


Creative Arts Emmys 2010!

Goooooooooooooood stuff happened at these this year! Not everything I desperately wanted. But still, good times!

Writing for Comedy/Variety/Musical: The Colbert Report
Usually I’m less a fan of The Report than I am of The Daily Show. But some of the writing this year was outstanding, so this is well-deserved.

Guest Actor in a Comedy Series: Neil Patrick Harris (Bryan Ryan) on Glee
I really did want Mike O’Malley, but NPH got the Emmy and gave him a shout-out, so I’m still a happy girl.

Guest Actor in a Drama Series: John Lithgow (Arthur Mitchell) on Dexter
A million pounds of YESSS!

Guest Actress in a Comedy Series: Betty White (host) on Saturday Night Live
Again with the YESSS!

Guest Actress in a Drama Series: Ann-Margaret (Rita Wills) on Law & Order: SVU
What I wanted? No. But anything that gets Ann-Margaret a much-deserved Emmy? Totally okay.

Choreography: Mia Michaels for “Gravity/Addiction, Koop Island Blues, One” on SYTYCD

Casting for a Drama Series: Mad Men

Casting for a Comedy Series: Modern Family

Commercial: THE OLD SPICE MAN!!!

Awards for Lost, Ken Burns, Jamie Oliver, Modern Family, Robot Chicken, CSI, The Pacific, Glee, 24, the SYTYCD costumers, && Gavin Purcell.

Golden Globes Results!

I don’t know what it was, but for some reason this year’s Golden Globes were (almost completely) AMAZING in terms of the television winners!


Best Drama Series: Mad Men (I’m sure you’re all shocked.)

Best Actress, Drama Series: Julianna Marguilies of The Good Wife (I am actually psyched about this, if for no better reason than it is great to have the winner not be Glenn Close or Kyra Sedgwick.)

Best Actor, Drama Series: Michael C. Hall of Dexter (YES YES YES YES YES YES OMG YES!!!!!)

Best Comedy or Musical Series: Glee (YESSSSSSS!!!)

Best Actress, Comedy or Musical Series: Toni Colette of United States of Tara (I have no feelings about this either way.)

Best Actor, Comedy or Musical Series: Alec Baldwin of 30 Rock (SOMEDAY his winning streak will end. I hope.)

Best Supporting Actress: Chloe Sevigny of Big Love (It has nothing to do with Chloe Sevigny herself, but I am SO DISAPPOINTED that Jane Lynch didn’t win.)

Best Supporting Actor: John Lithgow of Dexter (Again, a bit disappointed – because it isn’t NPH – but it’s John Lithgow, so I’m cool.)

So, in conclusion, Julianna Marguilies!, Michael C. Hall!!! GLEE!!!! Way to go, Golden Globes (also for your good choices in the movie categories). A solid start for awards season, I’d say.

First (And Second) Looks

It’s been a good weekend for my television brain. I have the full first seasons of THREE new series at my disposal, so it’s been all sorts of fun for me. Less so for anyone else in the house who wanted to use the television. I don’t know that I love any of these three series quite yet, but I’ve seen two episodes of each so far and there’s some definite potential.

Mad Men

To be absolutely honest, this is not the first time I’ve seen any of Mad Men, but it’s been long enough that I barely remembered anything. So it’s sort of like I have fresh eyes on it.

The thing about this show is that it’s so stylized, I can’t quite tell what sort of substance it has. My obsession with January Jones’ and Christina Hendricks’ costumes aside, there aren’t many things that have really gripped me so far. Watching a couple episodes with my dad, who lived through this period and remembers it, added an extra angle of amusement. The general sixties-ness is certainly interesting (and entertaining). And, because I am a devotee of all things Joss Whedon, it’s a treat to see a slightly more grown up Vincent Kartheiser.

As I said, the production value of Mad Men is phenomenal – you don’t need to look any further than the opening credits to get a sense of just how snazzy it all is. And the acting is excellent too. The multiple actor Emmy nominations Mad Men has earned are evidently well-deserved even after just two episodes. And, the writing is certainly funny enough.

But, when all is said and done, I’m having a really hard time a) connecting emotionally with any of the characters and b) understanding exactly what it is about this show that everyone (read: the Emmy academy) loves so damn much. I may keep watching just out of a stubborn desire to try and figure that out.


I have a huge crush on Michael C. Hall now. The man is fucking amazing and I want his brain/talent/babies.


Dexter is…interesting. Of the three shows, I feel like I have the least of a grip on this one. It’s not quite a procedural, but it’s not quite a serialized character drama. This is, again, analysis based on only two episodes, but my immediate reaction to this show is not confusion, necessarily, but something very much like it (and I can’t think of a more apt word at the moment).

The style that Dexter is written and shot in is peculiar and difficult to connect to. It’s like hectic in slow motion. The characters are just as difficult to pin down, because all of them are just so maladjusted to life in the real world. After the first episode of this I was wondering what the writers/producers were smoking when they came up with the whole concept. An episode later, though, I feel like I might be seeing the light. The world of Dexter is the world of Dexter. That is, the show is set not in Miami, but in Miami through the eyes of a serial killer. He is twisted, so everything is twisted. I’ll need to see a few more episodes to see whether that understanding is proof that I’m more insightful than I give myself credit for or proof that I’m just an intellectual elitist bullshitter with an overacting imagination. But I’m hoping it’s the former. I’ll feel so much smarter that way, and I’ll have so much respect for the creators of Dexter.

I honestly couldn’t tell you if I like this show or not. I do not know. What I do know, is that even if I hated the show I would watch it. Because Michael C. Hall is that good and I am that one-track-minded.

(Another great thing about this show – it’s gross! My favorite! A body drained of blood? Mmmmmm. Good times.)

Six Feet Under

…speaking of my undying fangirllove for Michael C. Hall…

Six Feet Under is by far my favorite of these three shows. And not just because the fictional ads for mortuary products in the pilot are the most marvelously disturing-but-hilarious things of all time. This show is the one of the three that really starts out with any sort of heart and soul.

I’ve heard some very disparate testimonies about this show. One friend calls it her favorite show of all time. My aunt gripes about how she doesn’t like any of the characters. So while I definitely didn’t switch on the pilot with a totally open and unaffected view, I feel like I’m more or less unswayed by any of the viewpoints I’ve heard.

My gut reaction to Six Feet Under is comprised mostly of delight. I love the characters for their awfulness. Peter Krause, the lead, manages to simultaneously ooze undeniable charm and bug the shit out of me. Michael C. Hall…well, he’s just damn good. And part of a homosexual relationship (additional emphasis on the sexual) which is a sure way to get my support – because most people just won’t do that on television, stage, or anywhere else and it’s marvelous when they do. Lauren Ambrose is heartfelt and hilarious. And I can’t think of any way someone could not love Freddy Rodriguez’s character. The only member of the cast I have absolutely no enjoyment in is Rachel Griffiths and her character Brenda. She just doesn’t do it for me.

As a whole, though, the show at two episodes down is remarkably well put together. Normally I’d have no interest in a show that is entirely about touchy-feely family/personal interrelationships. Usually I look for sci-fi or paranormal weirdness to bail me out. But dead people work too. Because they are gross. I get the feeling that after watching this show for a long enough period of time I’m going to start considering throwing myself into a volcano when I’m about to die just so no-one has to deal with my facial reconstruction or seeping fluids.

Since I have DVDs at my disposal and don’t have to mess with that complicated finding-episodes-online business, I am resolved to watch at least the entire first season of all three of these shows. And I will. Unless they, for some reason, irritate me so much that I just can’t stand it and have to stop. I have high hopes for my enjoyment of both Six Feet Under and Dexter, and I guess we’ll see how Mad Men fares.

I think the best part of all of it, though, is that these are non-broadcast shows so the characters/writers don’t have to PC-ify all their dialogue. People are allowed to swear and it’s amazing…and I am such a twelve-year-old boy. Wow.

Week of 10/4 to 10/10

This coming week I am going to make a concerted effort not to slack off as ridiculously as I did this past week. (I still have a half-finished FlashForward review; Dollhouse is just not going to happen at this point). Hopefully now that real life has normalized somewhat that won’t be too difficult. It also helps that there’s nothing SUPREMELY exciting coming up.

Three Rivers premiered on CBS at 9. I haven’t seen it yet, but I’m going to give it a try.

8pm – House on FOX
8pm – Heroes on NBC
9pm – Lie to Me on FOX
9pm – Trauma on NBC
10pm – Castle on ABC

I’m sticking to my NBC guns and I’m not going to stop until I have no other choice (read: Heroes inevitably gets cancelled because ratings are still dropping in inverse proportion to the quality of the show).

8pm – NCIS on CBS
9pm – NCIS: Los Angeles on CBS

9pm – Glee on FOX
10pm – CSI: NY on CBS

8pm – Bones on FOX
8pm – FlashForward on ABC
9pm – Fringe on FOX
10pm – Project Runway on Lifetime

9pm – Dollhouse on FOX

11:30 pm – Saturday Night Live (Drew Barrymore & Regina Spektor!) on NBC

Definitely making a point of watching SNL this week. Because Drew Barrymore is actually a good host. And I love me some Regina Spektor.

In other television-related news, I have one episode of Battlestar Galactica left before I finish the entire series. I reeeeeally don’t want to be done with it, but once I get it over with there will be a thorough (and possibly slightly tearful) overview/pitch for the entire series. In more cheerful news, I’ve got the first season of Six Feet Under and the first season of Mad Men in my possession now, so good times should ensue in short order. And, I think I’ve been coerced into trying to give Lost another shot. So there are quite a few things in the works, which I’m hoping will make for a more interesting and less procrastinitized week.